Media in contemporary United States
culture thrives on exposing aspects of society not always visible by the
public. Yet, in the novel Tropic
of Orange, Yamashita critiques this modern day society as being driven for
knowledge in part by the use of technology as created by the media. Therefore, Yamashita places Buzzworm in
the underbelly of Los Angeles, the unseen vision of a lower income society in
order to uncover the authenticity in media of the present era.
When
first establishing the character of Buzzworm in the first section, Yamashita
brings attention to how people like Buzzworm believe in the news information
they receive: “just about everybody thought they knew the truth” (25). It is
through this authenticity gap that Buzzworm emerges. Truth due to the media seems
to be indisputable with the spread of news. However, it is through this “truth”
that Buzzworm appears in order to challenge these “truths” circulated
throughout the city. Similarly, when talking about the watches he constantly
wears, it is noted, “he figured he could be around when the time’s right. Time
for everything” (26). By calling attention to the separate three-word fragment,
“time for everything” it seems that Yamashita alludes to the more modern claim
of “a time for change.” Is it through this same sentiment that authenticity and
truth are called to question when time is a factor? Does a sentiment of timing
create a desire for what is real and true? For this change, Yamashita critiques
the media and their authenticity in a way that could suggest change.
It
is through this same desire for truth that an actual reporter Gabriel,
describes Buzzworm as always craving for the news: “he wanted desperately to
see in print the stories of the life surrounding him, to see the wretched truth,
the dignity despite the indignity” (43).
Buzzworm thrives on knowledge of news whether how horrid or depressing
the event. Even his name “Buzzworm” brings to mind a constant urge for the “buzz,”
to be always in the know. The news it seems to Buzzworm, uncovers deep-rooted
truths that only a reporter can showcase to the public. The media also breaks
down layers that hide news from society, “if someone could break down all the
layers of the real map, maybe he could get the real picture” (81). These layers
that Buzzworm mentions, metaphorically represent the underbelly of society, the
less talked about components that make up society. By releasing these layers
through reporting and the media, the “real picture” becomes released opening up
gaps in society. It is through this suggestion that change in the media would
be possible to depict the authentic news to the public. Yet, it is the media’s
responsibility to expose the issues within a society as suggested by Buzzworm
throughout the novel.
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