Jack’s Other Half
Throughout the novel White Noise, the character of Jack
Gladney is portrayed of someone who is a white consumerist who takes the words
of others into account far more than is necessary. He looks to others for
affirmation and finds solace in the intimacy and honesty of his marriage,
allowing him to set aside professional aspirations and focus on family. But the
real Mr. Gladney seems to be a man who goes by J.A.K. and is rather different
from Jack. While only the absence of a “c” distinguishes the two, it plays a
vital role in the behaviors and actions performed by Mr. Gladney. Where Jack is
uneasy around other intelligent people, J.A.K. exudes a confidence and aura
that allows him to assert himself. By creating a new field of study, on Hitler,
J.A.K. instantly becomes the lead expert in a subject matter that had not
before existed, thus using the greatness of another to promote his own self-worth
and renown.
What is interesting about Mr. Gladney lies in the inability
to distinguish who the real man is: Jack or J.A.K. The beginning of the book
gives the reader the impression that J.A.K. is only a work persona whom Jack
becomes to deal with the demands of a highly intellectual profession that
demands him be someone more than he is. But as the novel continues the lines
between the real Jack and J.A.K. become somewhat muddled. The situation twists
and it appears that Jack is the persona that is taken on when around his
family, specifically Babette. Babette allows J.A.K. to slip out of the higher
learning world and into a role of loving husband who can reveal anything to his
wife.
A neat aspect of this distinguishing of 2 men within one
character is the concept of simulacra that Jack and J.A.K. portray. The more in
depth the novel gets into the characters of Jack and J.A.K., the more the lines
and distinctions between the two blur. Once Jack’s fidelity with Babette is
broken, it seems as if J.A.K. cannot seem to find a release in Jack anymore.
Jack’s character has become compromised as it relied so heavily on Babette’s,
whose was compromised, due to an affair, which was caused by a fear of death, which
now leaves Jack in a state of disarray at the relationship before him. He is
consumed with not only his own death but also the death that will allow him to
embrace his own. Only after a near death experience could J.A.K. come out of
his being and become Jack, who understands the trueness of death, and back into
his normal routine.
You've noticed an intriguing overlap between what we've discussed as simulacra and the "fake" version of JAK/Jack. For a paper, you'll want to develop what DeLillo's novel attempts to do with this blurring of the lines (and your reading of the novel's ending)
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