What is White Noise?
Don
Delillo’s White Noise is about a
colossal event in a seemingly innocent town.
So then what does the concept of “white noise” have to do with the novel
as a whole? “White noise” is that
constant chatter, meaningless rumblings that take place in everyday life
whether it is from a radio station, TV set, computer or just mere background
noise. Throughout the novel the
characters are constantly listening to talk radio and the alike, but the
meaning behind the title goes beyond even that.
The “white noise” in the novel as a central plot point is about not just
the droning sound itself but about the radical reaction to such an
insignificant occurrences. This novel
explores the vast bounds that can be enumerated from a mere suggestion. During the beginnings of the toxic event the
radio lists off the side effects of exposure.
In that instance, white noise which formerly held no relevance suddenly
became a reputable source. The symptoms
continued changing and with each suggestion of alteration, both Steffie and
Denise changed their physical reaction the toxic event. The girls complained of sweaty palm up until
the “white noise” suggested otherwise; “There’s been a correction . . . Tell
them they ought to be throwing up” (110).
And so the white noise continues to snowball throughout the text. Fear, anxiety, and hope all stand at the
knees of suggestion by white noise.
In White Noise there is a pattern of
trivial conversation topics during the most bizarre circumstance, such as the airborne
toxic event. The characters discuss
things like what to eat for dinner or whether a rat is a rodent or a vermin
(121). Instances such as these further
demonstrate the continual presence of “white noise” throughout the novel. Delillo’s writing styles in general gives the
reader a feeling that at times they are in fact reading white noise because the
information seems like nothing more than background chatter. The significance of all these elements bound
together is the affect that “white noise” can have on a person. It can drive a character to kill as it did
Jack, barter sex for drugs as Babette did, or it can even drive a reader to
attach some deep significance meaning to the most trivial of substance within a
novel.
I'm interested in this concept of the "radical reaction" to white noise, especially in some siutatins and not others. I'm wondering then, if you think that white noise is linked to some commentary on U.S> media forms (and how characters consume media?)
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