One thing I found interesting about
this narrative is DeLillo’s usage of plot and structure. The novel is driven by
Jack Gladney’s fear of death. In one of his Hitler lectures, Jack tells his students,
“All plots tend to move deathward. This is the
nature of plots” (26). Although
at the time Jack doesn’t understand what this means or why he even said it, it
foreshadows the structure of the plot for the rest of the novel. Jack’s fear of
death leads him to resist the emergence of plot in his life. Because he
believes that all plots lead to the death of the individual involved, he does
not want to enter into any plots that would eventually lead to his death.
Plot is
mentioned numerous times throughout the novel. Every time Jack mentions plot,
it is a reminder to the reader as to where the story is headed. The beginning
section of the novel, “Waves and Radiation,” there is little to no plot
introduced. This portion is dedicated to the introduction of the characters and
the world in which they live. The second section, “The Airborne Toxic Event,”
has the beginnings of plot development. In this section, Jack is exposed to
Nyodene D. and he finds himself with a sort of expiration date. Once death is
introduced, the aspects of plot quickly unfold. In the third section, “Dylarama,”
mystery, infidelity, and a gun are introduced. These factors lead to Jack’s
plotting to uncover the secrets surrounding his wife’s pill usage and result in
him hunting down the man dispensing these pills and attempting to murder him.
When on his hunt for Mink, Jack repeats to himself the actions he is going to
take regarding this murder: “wait for an unguarded moment, blast him in the gut
three times for maximum efficiency of pain, take his Dylar, get off at the
river road, shut the garage door, walk home in the rain and the fog” (293).
Jack is planning the events of this plot and these events literally move
deathward, but not for himself.
This attention to plot as a fictional/narrative structure is intriguing, especially since, as you note, it's very conscious in the novel. You might think futher, though, about why the novel makes these assertions regarding plot. Ultimately through both its literal plot and its discussion of plot, what does the novel argue?
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